![]() I remember being both scandalized and entertained by its central coverup when TechTV (which later merged with G4) reran the series in the early ’00s. ![]() “Blipverts” isn’t the best representation of Max Headroom, but it’s the episode that’s lingered in my memory the longest. ![]() Nearly killed while gathering evidence for a story that would reflect poorly on his employer, Edison’s consciousness is duplicated in the Network 23 mainframe, an artificial intelligence that names itself after the last thing the reporter saw before blacking out: the “MAX HEADROOM” label on a descending barricade. The top dog in this world is Network 23, the home of hard-hitting first-person reports from journalist Edison Carter (Matt Frewer). The story remains the same, though: In a dystopian society where it’s illegal to turn off a TV, a handful of networks scramble for the biggest slice of their ever-watching audience. He then had his own music-video show on the U.K.’s Channel 4, which led to a brief stint at the helm of Coca-Cola’s attempt to salvage its “New Coke” formula. What we’re watching here is a cut-down version of the TV movie, which repurposes some footage from 20 Minutes Into The Future while recasting a few key roles and restaging a number of the scenes. The character had a torturous path to American television, beginning with the British TV movie Max Headroom: 20 Minutes Into The Future. ![]()
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